中原宣孝 なかはらのぶたか
Nakahara Nobutaka
DETAILS - 6
2011年 06月 18日 (土) 12:00 | 編集
私たちにとっての天動説について
About the Ptolemaic System for Us/1303×1303mm/oil・linen・wooden frame

[Ⅰ] I explain the process of the creation of this work.

天動説3 process-1

I draft it by a pencil until I can image the whole of the work.

天動説4 process-2

I do a grazing by a red color.

天動説5 process-3

I do a second grazing with a blue color.
I often select this color though it is not general to do the grazing in purple.
The reason is to use the phenomenon of the complementary color.
I think in particular the glazing of this color to show a effect to express the depth of the hue of the skin.

天動説6 process-4

Furthermore, I paint each place in each color.

KICX0588.jpg process-5

The chair having a shape of the sheep is made in terra cotta.
To give rough feeling of the material of the chair, I paint IWA-ENOGU melted with water-soluble emulsion.
You may find some references in the past articles, "MAKI-E technic" and "DETAILS-2" about IWA-ENOGU .

KICX0587.jpg process-6

This part paints pigments with the sponge instead of the brush.
I remove the overflowing extra color with a brush before it dries.
I wait to dry, and this process is often repeated by a different color.
A flat brush of hard nylon is most suitable by this process.

[Ⅱ] I introduce the details of this work.

DSC_0071.jpg picture-1

DSC_0066.jpg picture-2

DSC_0060.jpg picture-3

DSC_0063.jpg picture-4

copyright (C) Nakahara Nobutaka all rights reserved.
designed by polepole...